Something About Alaska – Review

I thought this was a great read when it was first published, and returning to it has confirmed that impression. The internal and external dramas are skillfully woven together, and the tension holds taut as everything builds to the final climax.

We are the mind of fourteen year old Zac in remote midwinter Alaska, as a reunion with his father goes horribly wrong.

The generous, fun-loving dad who spoiled Zac when he was ten, is now an angry bully with secrets and a drinking problem.

But he does teach Zac how to handle a sled dog team – to feed, harness and mush the dogs. Zac falls in love with dog sledding – the thrilling speed as he rides the sled, the skills, the risks, the wild but deadly beauty of Alaska in winter.

Then his drunken dad punches Zac in the face for nearly losing a sled and a team, and Zac flees their remote cabin, into an approaching blizzard.

A yellow Dodge pickup emerges out of the swirling snow on the highway. Will the scar-faced driver who gives Zac a ride save his life, or end it? Zac and the reader both eye with alarm the rifle slung against the rear windscreen. Then the blizzard descends in full fury, the highway to Anchorage is closed, and again Zac is trapped with someone he fears.

This is a book to return to, to re-live the struggle to survive in the killing cold, the internal struggles of growing up fast from a child to a young man, the love for Alaska that is the one thing the characters share.

So, harness the dog team. Pull up the anchor. Hit the quick release. Ping!

Instant acceleration. Lean into the corners, and don’t let go!

Review of ‘Fish Out of Water’, by Kate Hendrick

State swimming champion Finn is on the starting block when a face among the spectators snaps his focus. Missing the start, he finishes last.

Finn had just seen his dad, his greatest supporter, who drove him to every training session, every competition, critiqued him, fought for him and believed Finn could swim for Australia at the Olympics.

But the face in the crowd was a trick of Finn’s mind. Because three years ago dad just vanished. With no warning.

‘Ran off with a blonde he met on the internet,’ Finn’s mum muttered.

But Finn’s new friend and swimming rival Loki won’t buy it that anyone can vanish and leave no trace for three years. Loki’s determined to help Finn find his dad.

And Aaliyah, tucking stray curls under her hijab as she waits with Finn for class to start, is pretty insistent that Finn needs to find himself.

Maybe. Because since that race has Finn is fighting an inner battle over the gruelling training regime that’s controlled twelve years of his life.

But if he’s not Finn the swimmer, who is he?

And who was his dad, really? To create his future, Finn will need courage, friendship, and a painful reimagining of the past he thought he knew.

            Highly recommended reading.

Text Publishing 2022

Review of Untidy Towns

Review of Untidy Towns

On the spur of the moment, Adelaide Longley walks out of her expensive Melbourne boarding school and catches the train home to her country town.

We might expect Addie’s family to be upset, even angry, but the relationships in this family are warm, supportive and depicted in rich detail. They want Addie to make good, on her terms.

Now the local girl who was so smart she won a scholarship, has to reconnect with her old friends at the local high school, find a job, and think about her future.

This is a gentle, leisurely story, that relies on the characters drawing you in and keeping you hooked. This is pretty well guaranteed when the teens in Emyvale wrestle with the universal questions of life, love, friendship and their futures, as they negotiate the last year of high school.

Will my grades be good enough to get me into my preferred course at my preferred uni?

Do I really want to go to uni?

Do I want to travel first?

How do I follow my dreams when my parents expect me to stay on the farm?

And, even, sadly, what if my parents expect I’ll never amount to anything?

Addie has rejected the narrow confines of her school’s expectations, but what now?

She (sort of) buckles down to studying at home for her finals, falls (sort of) in love with Jarrod, is firmly steered into a part-time job, and easily picks up the old rhythms of country town life.

This is a book for older teens, as Addie and her friends begin to explore their sexuality, but much is left to the reader’s imagination.

What is beautifully written into the story is the power of friendship, the knitted togetherness of community across generations, and the joy of finding, striving for and following your dreams.

Julia on Writing Fiction #2

pencil, notebook, Pixabay

Can you find someone to help you with your writing? Absolutely. Go on the internet and find out if there are writers’ groups meeting in your location, or online groups that fit your needs. Ask at your local public library.

https://writerssa.org.au/ is the leading writers’ group in South Australia.

For Queensland, check out https://queenslandwriters.org.au/

Wherever you are in the world, search out a local writers’ center, and if there isn’t one,  you can certainly find plenty of help online.

http://goteenwriters.com is definitely one site where you’ll find community, writing advice and support.

https://www.writerscentre.com.au/ is the address of the Australian Writers’ Centre, which is reputable and very good, but not free. I have completed one of their courses, and it was very helpful in building my writing skills.

Pixabay, easel blackboard, classical school desk

Of course, the usual cautions apply. Be wary of scams when signing up for courses you have to pay for. Check out the provider very carefully. Look for independent reviews or feedback from previous students.

A very helpful blog! https://writerbeware.blog/about/

Libraries often have books on various aspects of writing, as do online bookstores. Some classic books written decades ago are still eagerly read by a new generation of beginning writers. Used copies cost a lot less than new books, and some listed below (and others) can be downloaded to your device.

 Amazon.com: On Writing: A Memoir Of The Craft eBook: Stephen King ..

The Art of Fiction: Notes on Craft for Young Writers: John Gardner …

45 Master Characters – Victoria Lynn Schmidt

The Writer’s Journey: Mythic Structure for Writers – Christopher Vogler …

Awakening the Heroes Within by Carol S. Pearson – Read Online

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Local public libraries also have periodicals on writing, some of the articles are very, very good, and it’s all free information. Ask your librarian.

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Images courtesy of https://pixabay.com/en/photos/?cat=education

Just Drive! Go, Go, Go!

Had I got used to living in Gulistan? Even started to think it was boring? Maybe. But after the murder and our desperate, crazy and law-breaking drive to save little Amir’s life, I know Central Asia isn’t going to run out of surprises however much longer I live here.

 Amir’s father was Duran, our family’s cook. We live in the city of Khan Sharif, and they both lived in a little flat in our back garden. Of course, Amir should have been home in his village, but Duran was lonely and he’d brought Amir to the city a few months back.

 Because of what we did, I’m not going to name the big British company my Dad works for, or give our family name. But I’m Zachary, and my sisters and I go to the International School.

I’d noticed Duran and Amir don’t have the Genghis Khan features of most Gulanis. They’re from some minority ethnic group down on Gulistan’s southwest border.

I never thought much about it.

The crash that woke us in the half dark on a winter morning was the start of Amir’s ethnicity being the biggest and scariest thing in our lives.

* * * * * *

We all jumped out of bed and ran to the front door, and when we looked out, Duran’s bicycle was lying smashed and twisted on the drive. Someone had thrown it over the gate, but it looked like it had first been run over by a truck, and when we got to it, there was blood.

All we could think was: this is a message, a warning, a threat. But why, and for what? And where is Duran?

Mum thought first of Amir. She ran to the flat, found him asleep, and took him into our house. I’m still impressed she thought to take everything of his she could see, so no-one would know a child had lived there, and start asking where he was now.

Dad unlocked our gate, and some of the neighbours’ cooks and cleaners were talking in a little huddle on the road. They didn’t want to tell Dad what this was about, and I don’t think any of them spoke English anyway. But then the young guy who delivers everyone’s hot flat bread each morning came along on his bike, and he told him.

 Dad came in and locked our gate again, locked the front door, and sat down beside Mum. His face was pale and his hands were shaking.

He said, ‘He was in a fight last night. Someone suddenly pulled a knife. In all the struggling one of the men he was fighting with was killed. The victim’s family and the police have decided it was our man who did it, probably because they despise his ethnic group. Now the family and friends have sworn revenge, and the police want to arrest him if he’s not murdered first.’

Mum held Amir closer. ‘What can we do?’

‘I’ve told the bread delivery boy he didn’t come home. Everyone believes he’s headed for his village.’

‘What about this little one?’

‘His father’s new enemies would kill him if they found him. On the other hand, if the police find the little fellow, they wouldn’t bother to drive him hundreds of kilometres home. They would probably dump him in some horrible local orphanage.’

‘Or … use him as bait to catch his father …

’Yes. I expect so.’

They’d been careful not to use Duran’s name, and Amir doesn’t understand English. But he knew something was going on.

‘Zaccy, nima qilyapsiz?’

I learn Gulsha at school. I said, ‘Masele joq, Amir’. There’s no problem.

Men Atam kayda?’ Where’s my Daddy?

Qishloq jol.’ On the way to the village.

He started to cry, so I told him he’d soon be home too, and we fed him breakfast, and by now all our family were feeling we were trapped in a terrible dream. This couldn’t be happening in real life. Not Duran. Had he really killed a man? Even as an accident?

My Dad got on Google maps, and looked where the village was, and how far. I thought, Dad, you’ve never driven outside the city. Be real!

But of course he wasn’t actually thinking he’d do it, not then.

It was only after the police had pounded on our gate, hard-faced and hostile, searching our property, trashing Duran’s flat, and we’d been terrified they’d discover Amir in my sister’s bedroom. Then we started saying, Well what else can we do?

This isn’t a dangerous or violent country. We had trouble thinking that any Gulanis would actually be out for bloody revenge. But it didn’t have to be even one in a thousand, did it? Just a few friends or family of the dead man.

Dad got out the road map – there’s no GPS going to tell you to turn left, turn right, where he had to go.

That’s when I said, ‘You’re going to have to take me, too.’

‘Absolutely not, Zachary!’

‘You don’t speak Gulsha, and Amir doesn’t speak English.’

‘That won’t matter.’

‘It will. Think about it.’

‘I’m not even going to consider it!’

‘If he panics how are you going to calm him down?’

‘You just explain now where I’m taking him.’

‘Dad, he’s only five! He won’t carry that in his head for two days!’

Mum said, ‘I don’t want to say it, but I think Zachary’s right.’

So my parents argued for about ten minutes, and I just went and packed a bag with my toothbrush and a change of clothes and Amir’s few things.

I had a very bad feeling about this.

Dad doesn’t even enjoy a picnic in the woods. His natural environment is a glass and steel office tower. He can navigate Europe’s most complex motorways, but could he handle Gulistan’s rural roads?

I’d seen those roads. And I was pretty sure on that winter morning he hadn’t, and that he had no idea what he’d just got us into.

We drove out into the street right on half nine. Any neighbors watching only saw the British father and two of his children in the car, the fifteen-year old boy and the youngest girl on his lap. Actually they would have only seen her pink tracksuit, long dark hair under a hat, and her head bent over a game on a tablet.

I’d told Amir, ‘You’re going home to apam, to mummy. But it’s syr, a secret, ankayt, a surprise.’

Right then I think Dad and I were more worried about having a little kid in the front seat, and not in a child restraint in the back, than anything.

We got clear of the city, heading south where foreigners don’t go much, because all the pretty tourist stuff is north: the forests and hills and the snow-covered Northern Border Mountains.

But going south it just gets drier and dustier, and unless you’re an archaeologist there’s nothing to go there for. Or, unless you’re a couple of kidnappers on the run with someone else’s child disguised in a black wig from your sisters’ dress-up box.

Not far south of the city edge there was a roadblock. A police 4WD blocked a narrow bridge, and police were searching inside a bus. Amir snuggled into me, shaking and whimpering. I kept my mouth shut, and Dad just smiled and said ‘Tourists’, and showed them his papers.

It’s hard to sit smiling like an idiot tourist who has nothing to hide, when you’ve stopped breathing with fear, your insides twisted into a knot. I held up our camera, the prop Mum had handed us as we left.

The police might not have bought the tourist story, but their orders were only to search vehicles for Duran. They told Dad to open our boot, checked inside, slammed the lid down, and waved us through.

In the UK, the police would have identified the car as the same one seen a few hours ago at the house where Duran used to work.

We rumbled south through mile after mile of dry farmland where stalks of harvested crops stood like a buzz haircut in the dust.

Every hour or so we slowed down for another little grey-brown town of one and two story concrete and mud brick buildings, brightened by advertising signs and children on the street in red parkas, pink sweaters and yellow plastic boots.

Amir slept or looked out the window, numbed into silence by the landscape rolling by. Dad never spoke, his eyes on the broken bitumen ahead of his tires, gripping the wheel tight whenever he had to move half onto the dirt shoulder, out of the path of an oncoming truck.

We both jumped at a sudden thumping noise under the car, and Dad pulled over and stopped. Flat tire. If Dad had ever changed a wheel it was way before I was born. He climbed out slowly, walked to the back and opened the boot.

A car with four Gulani guys skidded to a stop, spraying gravel. They all jumped out, grinned at us, grabbed the spare, the jack and the wheel brace, and had the wheel changed and the ripped one back in the boot nearly as fast as a racing team pit crew.

Still grinning, they each shook Dad’s hand, got back in their car and roared off, tires spitting gravel. I don’t think I’d heard them say six words between them.

Near midday Dad parked under some leafless trees outside a small town. I left Amir with him, hung the camera over my shoulder and leaned into the cold, gritty wind as I trudged along the road edge to the shops. I came back with hot samosas, some spotty apples, Cokes and chocolate.

Dad walked up and down and flexed his arms while he ate, tossed his empty bottle in the car, and we drove on. Now there was no more cropland, only desert scrub and once or twice a shepherd on horseback watching over sheep.

The next police check-post really scared us. The police were like, Oh yeah? Foreigners coming here as tourists? With a young child? In the end they let us go through, but it was a close call. Too close.

Dad said. ‘If any police see Amir’s face, they will recognize his ethnicity and guess whose child he is. They’ll take him into custody and arrest us for kidnapping, impeding a police investigation, accomplices after the fact, and violating the terms of our visas.’

My Dad just said that? My Dad, who was so strict about doing the right thing, obeying the rules? He brought us up to be honest, loyal to our friends, look people in the eye, not take the easy way out. But what happens if being loyal to someone means breaking the rules, even the law? And who were we being loyal to? Duran, who might have killed someone? Amir? Or Amir’s mother, who we’d never met?

We spent the night in the car, hidden a hundred yards off the road behind a rocky outcrop. I didn’t sleep well, it was too cold, but I did think a lot. In the morning I told Dad, ‘You won’t like this idea, but I know how we can get Amir through any police checks we run into today.’

He didn’t like it. He was shocked I’d even suggest it. I was, too. But how else could we hide Amir?

My Dad looked years older. I knew he hadn’t slept much last night, and Gulistan’s desert borderland was a long, long way from his comfort zone. Plus, there’d been hours and hours driving on a bad road.

But for him the worst must be the conflict between doing the right thing in getting Amir home, and doing the wrong thing by lying and breaking the law. I was sure of that.

He probably thought he was setting me a terrible example. I thought he was just totally awesome. Would any of my friends’ dads do this trip for a little lost boy?

An hour after we got back on the road we saw a village straddling the narrow strip of potholes laced together with bitumen that the map still called a ‘highway’. A petrol pump stood outside a sort of general shop. A teenage boy came out and pumped the petrol by hand, his breath coming out as puffs of steam.

I went inside with Amir over my shoulder, his face buried in my parka. The shop had everything you might sell to poor villagers and farmers, and as well as food I bought a thin purple polyester blanket printed with flowers.

Then I went to the rubbish heap behind the shop and carefully walked in something that stank like a dead cat.

 We drove on south. Dad looked exhausted.

Getting towards midday we saw a proper, permanent border police check-post. The tourist story was never going to work here, in the most boring dry landscape you ever saw. Dad opened the window, and rolled to a stop. We held wads of tissues over our noses. On the back seat was a sad little rolled up blanket.

The police were not happy, which you’d expect, posted out here because they were not the shiniest buttons on the commissioner’s uniform, checking maybe five vehicles a day, for no real purpose.

Dad held out his papers, and I pointed sadly at the blanket behind us. ‘Bizdin bakshashimiz kichik kuzi.’ Our gardener’s little daughter. ‘Ayol bezgek ket ush kun ilgari’ She died of the fever three days ago. ‘Uni atam arizahada zatadi.’ Her father is in the hospital. ‘Men oylaymi ol omirmin.’ I think he will die too. We are taking her body to her village.’

The police stepped back in panic. They’d got a face full of dead cat stink. They waved us on. ‘Ket! Ket! Ket!‘ Go! Go! Go! Just drive!

Dad put the car in gear, and drove on, the road climbing now into dry, rocky hills and the surface so bad he hardly got into top gear. I didn’t believe there would be another check-post, and I was holding Amir in my arms again. He’d started sucking his thumb, dark shadows under his eyes.

We turned off onto a gravel road, heading south, and after about ten kilometers we saw two dozen mud brick houses in a shallow valley with some fruit trees and sheep and irrigation ditches.

Had we found the right place? When Duran had described where he came from, he hadn’t been giving us directions how to go there. We’d pinned our hope on this being the only village so close to the south-west border.

Dad said, ‘I don’t want to alarm them by driving right into the village. If they’ve heard about the stabbing, they might think we’re the revenge mob.’

‘Yes. Okay.’

He stopped, and I opened the door and got out with Amir. I stood him on his feet and took his hand. The whole village had come out to stand and watch when they heard the car, and we walked towards them.

 Voices shouted. Hands pointed. A woman ran to the front and screamed. ‘Amir!’

I never heard a woman make a sound like that.

Amir snatched his hand free, then he was flying down the dirt road, his arms out, sobbing, ‘Apam! Apam! Apam!

Review of “The Road to Winter”

A near-future Australia has been devastated by a virus, the survivors clinging to life however they can.

Finn is a survivor.

Two years since his parents died and the rest of the locals fled, he and his dog Rowdy are the lone occupants of what was once a thriving holiday town, we assume on Victoria’s southern coast.

Finn, who guesses he is almost sixteen, has a routine. He surfs, he dives for abalone and lobster, he traps rabbits, and collects a few eggs from the town’s now feral chickens. His hidden store of tinned food is carefully rationed.

But there is more to survival in this new Australia than finding food.

Wilders – armed gangs – roam the countryside, and Finn is on constant alert for the day they find and invade his town, tearing it apart for hidden food.

But when someone does crash into Finn’s life, appearing on the beach when Finn is out riding his board, it’s not, at first, the Wilders. It’s a girl. Sick, terrified and running from the Wilder who held her as a slave, Rose blunders into Finn’s town one winter afternoon.

She’s a Siley. An asylum seeker from Afghanistan

And the Wilders are close behind. Because the virus has killed far, far more girls and women than men, and Rose is too precious to lose.

And so begins Finn’s new battle for survival. Against the Wilders who have followed Rose into his town. Against the blood poisoning that is ravaging Rose’s frail body. And most dangerous of all, when Finn treks into the mountains and forests to the north, where the Wilders rule.

Because somewhere out there is Rose’s little sister, Kas, and Finn has promised to find her and bring her to safety.

But is there safety anywhere in this lawless Australia? And is there anyone out there who Finn can trust as he risks everything to keep a promise to a girl he hardly knows?

The characters in The Road to Winter are authentic and three dimensional, they live in a terrifyingly believable world, and their choices and struggles ring true.

In this world the reader is confronted with what it means to be a desperate survivor, whether born in Australia or having fled here from elsewhere. And what it means – for Rose and Finn and Kas or even perhaps one day us – to find sanctuary, or to be met with fear and hate.

            A book for our time, that takes root in the memory.

Untidy Towns

Kate O’Donnell    

On the spur of the moment, Adelaide Longley walks out of her expensive Melbourne boarding school and boards the train home to her country town.

            We might expect Addie’s family to be upset, even angry, but the relationships in this family are warm, supportive and depicted in rich detail. They want Addie to make good, on her terms.

            Now the local girl who was so smart she won a scholarship, has to reconnect with her old friends at the local high school, find a job, and think about her future.

            This is a gentle, leisurely story, that relies on the characters drawing you in and keeping you hooked. This is pretty well guaranteed when the teens in Emyvale wrestle with the universal questions of life, love, friendship and their futures, as they negotiate the last year of high school.

Will my grades be good enough to get me into my preferred course at my preferred uni? Do I really want to go to uni? Do I want to travel first? How do I follow my dreams when my parents expect me to stay on the farm?

And, even, sadly, what if my parents expect I’ll never amount to anything?

Addie has rejected the narrow confines of her school’s expectations, but what now?

She (sort of) buckles down to studying at home for her finals, falls (sort of) in love with Jarrod, is firmly steered into a part-time job, and falls easily into the old rhythms of country town life.

            This is a book for older teens, as Addie and her friends begin to explore their sexuality, but much is left to the reader’s imagination.

            What is beautifully written into the story is the power of friendship, the knitted togetherness of community across generations, and the joy of finding, striving for and following your dreams.

Review of ‘Girl on a Plane’

It is one thing to be a fifteen-year-old English girl caught up in a mid-air plane hijacking.

It is quite another to be able to recreate that experience decades later in a novel which puts the reader right there as one of the exhausted, terrified passengers.

Miriam Moss achieves just that.

As the fictional Anna, she retells her own 1970 experience flying home to boarding school in England, when her plane is hijacked and forced to land in the Jordanian desert.

Seated either side of Anna are Tim, aged nine, and David, 17. Better friends Anna couldn’t have been given, as they and the other passengers fill in the tedious, boring, terrifying hours. Water is rationed. Food hardly exists.

The hijackers make the stakes clear. Their colleague in custody in the UK will be released, and the passengers freed – or the passengers will be blown up with the plane.

The heat, the cold at night, the hunger and thirst and sweaty filth on the plane almost become the reader’s experience.

Thanks mostly to the indomitable Tim, the story is also alive with unexpected humor.

Because the fictional cast of passengers, crew, and hijackers are the most memorable takeaway from Girl on a Plane. Moss creates them as fully realized human beings, with their fears, their courage, their weaknesses, their personal stories.

And like Anna, by the time we evacuate the plane, we may understand that some people’s stories are not as straightforward as we thought.

Race Against Time

Goodbye to Grandpa’s house

I was riding up my street, coming home from school. I always needed to stay pretty wide awake on the bike. There were no sidewalks in my neighborhood, my street was narrow, and drivers in Gulistan were often looking at their phones.

This day an old guy was wandering up the middle of the street. I rode up beside him and slowed down.

Salamat siz, Atalar. Hello, Grandfather,’ I said politely, stopping my bike.

Salamat sen, bala. Hello, son.’ He didn’t look surprised to meet a foreign kid.

But he did look lost, so I said in Gulsha, ‘My name is Joel. Can I help you, sir?’

‘No. I am going there,’ he said, pointing.

It looked like he meant past the end of my street, but why? There wasn’t a lot of anything out there.

Just fenced-off old ruined houses where a faded billboard said some developer one day was going to build a fancy estate.

Makul. Okay,’ I said. What was I going to do? Just ride home and leave him in the middle of the street?

A car was coming slowly from the direction of the Main Road, and the old guy was right in its path. I gently pulled him against one of the high garden walls that nudge the edge of the asphalt.

The car stopped and a lady and a man got out.

‘Oh, Apa,’ the guy said. ‘Kayda barasez? Dad, where are you going?’  

The lady spoke to me in Gulsha. ‘I only left the apartment to pick up the children from school, and somehow he got out.’

Maqul,’ I said. ‘I thought he was lost.’

‘Oh, not really,’ the son said. ‘We used to live up there.’ He pointed like his father had. ‘You know, the old neighborhood. But the government moved us years ago, into an apartment block on Main Road.’

They were gently taking Atalar to the car, but he didn’t really want to go. I felt sorry for all of them, but I didn’t think about them any more after they left.

Not until about a week later and I saw the old guy walking up the street again.

Uh-oh.

He was walking a bit faster, and more like he knew where he was going this time.

I rode up beside him and said hello.

‘Hello, son,’ he said in Gulsha.

I got off the bike and walked beside him. How had he got here? Must have caught a bus and then tottered up here from the College Park shops.

His poor family. He had as much road sense as a toddler.

I looked back down the street, and, yep, there was the son’s old blue Mazda wobbling through the potholes towards us.

The lady and the gentleman got out, pretty stressed.

This time I felt really sorry for them all.

‘I locked the door!’ The lady said, like I might be judging her. ‘I don’t know how he opened it!’

‘Well, he’s safe now,’ I said.

Ha. Rakhmat. Yes. Thank you,’ the son said.

I asked, ‘Why does he suddenly want to come back?’

‘Oh.’ The man chewed his lip. ‘Our fault.’

The lady said, ‘He heard us talking. The houses are finally going to be bulldozed. There will be nothing there any more.’

‘When Apa heard that, he was upset,’ the son said. ‘He kept saying he had to go back and “find it”. Find the house I suppose.’

‘What if you drove him there and showed it to him?’

Joq.’ He shook his head. ‘We did that. He wanted to go into the house, and the area’s all fenced, and too dangerous.’

So they put him in the car, and we all said, ‘Khosh, goodbye,’ and they thanked me again, and they left.

Well, the lock on that apartment door really needed fixing, because only three days later, there was Grandfather walking up my street again.

All the exercise was doing him good. He was walking a bit faster and more in a straight line, but still in the middle of the road.

The son and daughter-in-law had been right about the bulldozers. I’d started hearing them this morning as I was getting ready for school.

Salamet siz, Atalar,’ I said, as I got off my bike beside him.

Salamet sen, bala. Qandai sen?’

‘Oh, I’m fine, thank you. Kayda barasez? Where are you going?’

He pointed in the direction of the old ruined neighborhood. ‘I have to find it!’

Makul. Okay. Find what?’

‘Shhh!’ He put his finger over his lips and looked around as if we might have a dozen people listening in. There was nothing in the street except two stray dogs, and several houses away, a bored security guard scratching his elbow.

Then around the corner came the blue Mazda, bouncing at speed over the potholes.

Grandpa, you are going to be in so much trouble this time.

Grandpa crushed a piece of paper into my hand. ‘Tapmak! Find it!’

I pushed the paper into my pocket. ‘If I find it, where do you live? What is your address?’

‘Block Seventeen, Entrance Four, Apartment Nine.’

The Mazda squealed to a stop. This time the lady was in tears, the guy was nearly chewing his lip off, and we finally introduced ourselves.

Menin atim Joel,’ I said as the son shook my hand.

‘Ramiz,’ he said.

His wife gave me a tired smile. ‘Menin atim Kinaaz.’

So then it was, ‘Come on, Dad,’ again, as they led him to the car.

I was left standing in the street with my bike, watching the blue Mazda make a tight back-and-forward turn and head back towards the Main Road.

The bulldozers had been working all day. Was there anything left up there, anyway?

I rode past my house, up to the old neighborhood.

Well, there weren’t bulldozers, to start with. There was one tracked yellow excavator loading rubble into a truck.

How would I find Grandpa’s house? The street signs had long gone, and so had a lot of the house numbers.

I smoothed the paper out. 639. Okay. I wheeled the bike along the road, finding numbers neatly painted on house front walls, slopped on gate posts, screwed onto front doors, stenciled on electricity poles. When there were numbers.

I pulled the bike through a gap in the fence and walked along a street inside. I was getting the pattern. It took me less than ten minutes, and I was standing in front of Grandpa’s house.

Green plants crawled over a lot of it, the open triangle between the iron roof and the top of the side wall had exposed the ceiling to the weather. Windows were broken and the front door had been bashed in.

Tapmak! Find it.’ What did he mean?

Not, Find the house. Ramiz had shown it to him. Today I’d seen things left behind in other houses – furniture mostly, but pictures on the walls, religious items, small stuff that maybe meant a lot to someone, once.

I pushed open the bashed-in door and walked around inside. Couldn’t see anything. Well, nothing that Grandpa might want. I opened the door of a small metal fireplace, had a good look, felt up the chimney, and only got a filthy charcoal hand.

I checked the kitchen cupboards and the cupboard in a bedroom. Nothing. I went back outside and looked up at that gap under the roof.

Down the street was a long panel of metal fence lying in a yard. I dragged it back to Grandpa’s and stood it up like a ladder. If it broke, I could think of several horrible ways I could get hurt.

The ceiling was strong wooden planks. I walked all over it, looking for anything he might have hidden when it was a closed space. Nothing. I went down the ladder as carefully as I’d gone up, and laid it back on the ground.

Was there a shed or any other place to hide something outside? Nope.

I rode home, cleaned myself up, did my homework and had dinner with the family. But I kept thinking about Grandpa.

The thing was … okay, he didn’t realize he was walking in the middle of the road and could get hit by a car. But he had the smarts to break out of his apartment, catch a bus, and find the route to his old house. He’d also thought ahead, remembered me, and written the house number down to give me.

He wasn’t totally doolally.

Which meant, I had to take him seriously.

So, next day in school I wondered every spare minute about where Grandpa might have hidden … what?

After school, I went back. The excavator had made a lot of progress in twenty-four hours. What had been houses yesterday were now heaps of bricks, concrete, broken timber, and twisted roofing iron.

The wrecking machine and I arrived at Grandpa’s house about the same time.

The heavy diesel engine revved and spewed black smoke and the tracks squealed and clanked.

The operator extended the long steel arm, opened the bucket jaws, ripped a small tree out by the roots and tossed it aside. He didn’t see me or the bike. He would have been shocked if he had.

He raised the bucket high, lowered it onto the iron roof and dragged it off with a screech like the end of the world.

I was inside now, protected by that strong wooden ceiling, desperately trying to think of one last place I could search. The floorboards? No. No sign of a trapdoor.

The bucket hit the bedroom wall with a crash, followed by the roar of falling bricks and a rumble as they bounced across the floor. Hit the wall again and another roar, the ceiling sagging over my head, the house filled with clouds of dust and grit.

But I’d heard something. Under the roar of the falling wall, the screech of the tracks, and the growl of the engine I’d heard one, other, distinct sound that wasn’t any of those.

As the excavator prepared for a third assault, I ran into the bedroom, threw bricks aside where I’d heard that high, metal clang! and scrabbled madly in the rubble. The rusty yellow bucket came in, dragging the mess out, and I was digging with my bare hands only a yard from it, and the operator didn’t even know I was there. He hooked the bucket through the window, dragged the last of the wall away, and I saw grey metal among the bricks on the floor, grabbed it and ran for my life out the front door.

I collapsed in the wild garden, shocked and shivering, my hands scraped raw and bleeding, the vibrations of the machine throbbing through the ground. But I’d found it. I’d found the brick-sized metal box Grandpa had hidden inside the bedroom wall.

I collected my bike and walked home, the box in my hand, my legs wobbly.

Mum saw me walk in. ‘Joel! You’re covered in dirt and grit. You look like you’ve been underground!’

‘Nearly. I’ve been up there where they’re pulling down those old houses.’

‘What?’

So I told her, and she listened, looking sympathetic about Grandpa and his family, then horrified at what I’d done. I showed her the box.

Living in Central Asia had made my Mum resilient. She said, ‘Well, brush yourself off a bit – comb the lumps of cement out of your hair at least – and we’ll go and search for this apartment.’

So she drove down Main Road, and we read the numbers stenciled on the run-down apartment blocks. We found ‘Seventeen’, and Mum parked in a dirt car park beside the kiddies’ playground. Women taking their washing off the drying lines stared at the two foreigners.

‘Seventeen’ was a long building with a big ‘4’ over the last door on the right. A man came out and left the door to close itself. We ducked in behind him, and climbed the concrete stairs. On the third landing we knocked on the door of apartment Nine.

Ramiz opened it. ‘Joel!’

I could hear a TV somewhere behind him, with a children’s program.

Salamet siz, Mr Ramiz,’ I said respectfully. ‘This is my mother, Laura.’

So he and Mum and then Kinaaz all said, ‘Hello, nice to meet you,’ in Gulsha, and I held out the metal box.

‘I found this in your old house. I think it’s what Atalar was looking for.’

They stared at it, eyes wide, mouths open.

Finally Ramiz waved his arm for us to come in, and pointed down the hall, and we went down there. Grandpa was sitting on an old brown couch in a small shabby living room. I went over and presented the box with two hands, carefully laying it in his lap.

He looked at it for a long time, slowly picked it up with shaking hands, then tears trickled down his cheeks. It was like the box had brought itself to him. Grandpa had tried so hard to get to it, and it had called out, Here I am!

Maybe I was hardly in this story at all.

Grandpa closed his fingers over the combination lock, and without hesitation rotated the correct numbers, the lock fell off and he raised the lid.

Even standing back I could see it was folded papers, and a few old photos. He took them out, one by one, unfolding the papers, looking at them and handing them to his son.

Ramiz took them, started reading, and had to go and sit in an armchair.

‘What are they?’ Kinaaz asked him.

‘Investment certificates, bank accounts, I don’t know what all of them are.’

‘This is money? That belongs to us?’

‘To Dad. I think. To us, our family.’

I looked at Mum, and she gave a tiny nod towards the door.

Gulanis always offer cups of tea and biscuits to visitors, but this wasn’t the right time.

Better for us to quietly leave while they were distracted.

If they wanted, they could find our house.

There was no hurry. Not any more.

Phone Power

https://www.publicdomainpictures.net/en/view-image.php?image=10928&picture=flying-plane

It was the gentle growl of a light plane flying low over the city that snapped me around, eyes searching the sky. We don’t see a lot of them in Central Asia. And, more weird, the sound didn’t come from the usual flight path in and out of the Khan Sharif airport.

We can see that flight path from our high school, and the planes we see are commercial airliners or military aircraft. Or, sometimes, rich people’s private jets.

But this was a single engine light plane, banking away from the city center, and it looked like towards the school in the middle of the lunch hour.

 Six hundred of us were outside, kicking footballs on the sports field, playing volleyball or tennis on the courts, or just hanging out.

 I saw a lot of other kids stop dead, too, and just stare up at the sky. Not just a quick check, but like, ‘What’s going on?’

We were getting our phones out, sweeping the sky till we found the plane, coming at us head on. Now it was like, ‘What the hell?’

It was dropping altitude, and suddenly kids started running off the sports field, racing for the buildings, screaming, ‘It’s coming down!’

I backed against the Science Block, keeping the plane firmly in the center of my screen. No question it was coming down on the sports field. I was sweating, my hand holding the phone was shaking. Could a plane land there? Could it? Safely? But why? Why was it even over the city?

Instinct kicked in. I’m a journalist’s son. I had to get this. This was a story. I hoped like hell it wasn’t a tragedy. Just a story, okay? Please, just a bit of drama. Bust the plane up, maybe, but no-one hurt.

It looked like that might happen. Coming in over the fence. All the grass ahead. Then the plane bucked like a saddle horse gone rogue. Engine roar. Nose up. Wing down. Dropping sideways like a shot bird. Sickening crunch as plane impacts ground. Small bits in all directions. Silence.

Me running, phone camera fixed on the wreckage growing bigger, filling the screen. Maybe someone is alive. Maybe I can do something, anything. In the distance behind me I hear shouts and screams. Other students are running towards the plane too. All of us with our phones out. All of us hoping we’ll find the pilot alive.

We stop. He isn’t. He isn’t alive, and he isn’t alone. Two dead guys. The pilot and his passenger.

From behind us teachers are shouting, calling us back to the buildings.

One of the boys beside me throws up on the scarred grass.

‘Come on,’ one of the others mutters. ‘Nothing we can do.

‘Yeah. Let’s go.’

They straggle away. I would, too, except my Dad is a foreign correspondent. He tells the world about wars and earthquakes and terrorism and governments who have dirty secrets they want to keep secret. I’ve been marinated in trauma reporting.

I’ve just never seen trauma until this second.

With some teacher bellowing from the buildings, ‘Joel Fleming! Get back here at once!’ I’m filming the two guys in the plane. I’m filming the pilot, who has a small, neat blue-lipped hole between his headset and his right eye.

I’m filming the passenger, who has a pistol in his right hand.

I’m filming the backpack behind the seats that has visible wires, and I’m pretty sure contains explosives. I want to check and make sure, but I think I’m lucky it hasn’t suddenly decided this would be a good time to explode and take out the nasty foreign kid with the camera.

I back away, and not because the teacher is still shouting himself hoarse, and the sirens that have been screaming closer and closer are now inside the school carpark.

Through a mist of tears I look at the pilot who refused to fly into whatever building the terrorist targeted this morning. Who innocently took a charter job, and is now dead on my school’s sports field. Who wouldn’t risk crossing the flight path of a passenger jet, so tried to come down here.

I duck my head for a moment in respect, and slowly turn back to the school buildings, cutting a straight course through the dozen or so emergency vehicles screaming across the grass.

The teacher meets me, purple and spitting with rage. I don’t hear him. Behind him the kids and teachers are massed and in collective shock, staring at the plane, the emergency vehicles, and now the military vehicles spilling out personnel. Of course, most of the kids are not too much in shock to be filming everything.

I snapped out of whatever daze I’d been in, and thumbed my screen with fast jabs that sent the video to Dad.

About then the Principal ordered us all back into the central quad area of the school, where we couldn’t see the plane any more, and I wasn’t sorry. I knew too much about what was in that cockpit. The guys who’d gone out to the plane with me hadn’t looked as close as I had.

We all got told to sit down, packed in tight on the grass, the pavers, or benches if we were lucky. The teachers were all talking on their phones, then to each other, then back on their phones. Staring at us. More muttering to each other. No-one knew what to do. The staff must have training for all kinds of dramas, but maybe not this. All this week and next, the trauma counselors were going to be busy as squirrels in autumn.

Busy with the teachers, before they ever got to us.

Everyone’s phone was screeching with incoming calls from parents. Word had got out all over the city. Kids were in tears answering calls. Voices up at least two octaves. Parents were in total panic. They were trying to get to the school but had run into military road blocks.

 I texted Dad and told him about the road blocks, too. I’d never supplied him a story before.

But today some terrorist had decided to fly a plane and explosives into … What? The Presidential Palace? Department of the Army? The Parliament? Or was it called Congress? I couldn’t remember. Didn’t matter. He’d planned on some big, important building, but all he’d achieved was to mess up our soccer field. And kill an innocent man.

My parents both rang me. ‘I’m okay,’ I told them. ‘Just sitting in the quad. Did you send out my story, Dad?’

‘Of course. Well done. Well done! There’ll be updates, but yes, your video’s the first report. Now, you sure you’re okay?’

‘Sure. Just sitting around with my mates. We’ll probably be back in class any minute.’

That was a lie, of course. I felt terrible. I was shaking like I had a fever. Couldn’t get the image of the cockpit out of my head. But I wasn’t telling him that. He’d think I was soft.

Right then, these military types came walking fast into the quad. Not armed, but covered in badges and eagles on their epaulettes and stuff, so we knew they were high ups. Everyone got very quiet.

One of them barked out in English, ‘Who was filming the plane on their phone?’

Um, like… everyone? Are you stupid?

‘Who filmed the plane that landed in the school?’

 Landed?

The purple-faced teacher was looking around for me. I ducked behind someone and looked at my sneakers.

‘Who has filmed the plane?’ shouted the officer.

Nobody moved. Nobody answered.

‘Then everyone will hand over their phones! Now! Every phone! Hand them over!’

Just like I thought. Governments want to keep their secrets, secret. He couldn’t possibly know one of us had filmed what they’d also found by now – that backpack. And the gun. But we’d all filmed the result of that gunshot – a plane calmly coming in to land suddenly convulsively out of control, and crashing.

And so the government was doing what governments everywhere do. Keeping an event secret, from their citizens and the world, because it made them look like not totally in control.

Except … Was this guy living in some previous century? The images had already gone out to everyone’s social media friends.

‘Hand over your phones!’ he ordered the kids sitting right in front of his shiny black shoes. They hunched down and left their phones hidden. He shouted louder, and way at the back Vitaly pulled out his phone and held it high, filming the officer going off his brain.

That really upset him, and he raved and yelled for Vitaly to stop filming and give him the phone. Wing Yan and Farida pulled out their phones and started filming, then Suvash, Ismaila and Sven, and then all of us were pulling out our phones, holding them up, filming the three officers.

For maybe five seconds they just stood there, then they turned like on a parade ground and marched back towards the fallen plane and the dozens of vehicles and crowds of workers and officials that must be out there now, hidden from us by the Science Block.

Phone power. Phones get a bad rap, sometimes, but that day they told the truth to the world, and truth is always power.